Copy ♭ in one tap, or pick from 53 rows: double flat, ready-made flat notes, keys, chords and look-alikes.
Flat Symbol Copy Paste
♭Music flat signU+266DReady to copy
53 flat signs and note names. Tap any value to copy it.
53 flat signs and note names. A character and its name both copy the character. A code copies the code.
Character
Name
Code point
HTML
LaTeX
U+266D. Lowers a note by one semitone. The shape is a stylised small b, from the Italian be molle, soft B. ♭ in HTML, \flat in LaTeX maths mode. In Unicode since version 1.1 (1993).
U+1D12B. Lowers a note by two semitones, so B double flat sounds as A. It is one character, not two flats typed side by side. Added in version 3.1 (2001).
U+266E. Cancels a flat or a sharp. It grew out of the square b of medieval notation, as the sharp did, while the round b became the flat. ♮ in HTML, \natural in LaTeX.
U+266F. Raises a note by one semitone. Its bars slant upwards so that they do not hide the staff lines. The number sign on the keyboard is a different character. ♯ in HTML, \sharp in LaTeX.
Made of U+0042 and U+266D. First in the order of flats, so every flat key signature starts here. B♭ major has two flats, B♭ and E♭. In German note names this pitch is plain B, and H is B natural.
Made of U+0045 and U+266D. Second in the order of flats. E♭ major has three flats: B♭, E♭ and A♭. The alto saxophone is an E♭ instrument.
Made of U+0041 and U+266D. Third in the order of flats. A♭ major has four flats, and its relative minor is F minor.
Made of U+0044 and U+266D. Fourth in the order of flats. D♭ major has five flats. Spelled as C♯ major, the same key needs seven sharps.
Made of U+0047 and U+266D. Fifth in the order of flats. G♭ major has six flats, and its enharmonic twin, F♯ major, has six sharps.
Made of U+0043 and U+266D. Sixth in the order of flats, and the same piano key as B. C♭ major carries all seven flats.
Made of U+0046 and U+266D. The seventh and last flat, and the same piano key as E. It only shows up in the signature with all seven flats: C♭ major or A♭ minor.
Made of U+266D. The stand-in for 𝄫 where no font has the real one: two plain flat signs in a row.
Made of U+0042 and U+1D12B. B lowered by two semitones, which sounds as A. It uses U+1D12B, so it needs a font that covers the Musical Symbols block.
Made of U+0045 and U+1D12B. E lowered by two semitones, which sounds as D.
Made of U+0041 and U+1D12B. A lowered by two semitones, which sounds as G.
Made of U+0042, U+266D and U+006D. Five flats. The relative minor of D♭ major, a minor third below it.
Made of U+0045, U+266D and U+006D. Six flats. The relative minor of G♭ major.
Made of U+0041, U+266D and U+006D. Seven flats. The relative minor of C♭ major. Spelled as G♯ minor, the same key needs five sharps.
Made of U+266D and U+0035. A chord alteration: the fifth lowered by a semitone. C7♭5 is C, E, G♭ and B♭.
Made of U+266D and U+0039. The ninth lowered by a semitone. C7♭9 is C, E, G, B♭ and D♭.
Made of U+266D, U+0031 and U+0033. One of the usual alterations of a dominant chord, with ♭5, ♯5, ♭9, ♯9 and ♯11.
Made of U+006D, U+0037, U+266D and U+0035. The half-diminished seventh chord, spelled 1, ♭3, ♭5, ♭7. Bm7♭5 is B, D, F and A.
Made of U+266D and U+0033. A scale degree, the lowered third. A half-diminished seventh chord is spelled 1, ♭3, ♭5, ♭7.
Made of U+266D and U+0037. A scale degree, the lowered seventh. Built into a chord it becomes ♭VII.
Made of U+266D and U+0049. Roman numeral for the major chord a semitone above the keynote: D♭ in the key of C. It falls to I in a ♭II to I cadence.
Made of U+266D and U+0049. In C major this is E♭, G and B♭, a chord borrowed from C minor.
Made of U+266D, U+0056 and U+0049. In C major: A♭, C and E♭. With ♭III and ♭VII it is one of the borrowed chords common in popular music.
Made of U+266D, U+0056 and U+0049. In C major: B♭, D and F. The backdoor progression runs ii, ♭VII7, I.
Made of U+0042 and U+266E. B with the flat cancelled. German note names call this pitch H and keep plain B for B♭.
U+0062. The letter the flat sign grew out of, and its usual stand-in where ♭ will not show. It is on the keyboard.
Made of U+0042 and U+0062. The keyboard spelling: a capital B and a small b, no music character at all. Two small b's do the same job for a double flat.
U+0185. A tone letter, not a music sign. Unicode's note: Zhuang (old orthography). Unicode cross-references it to the Cyrillic soft sign, the next row.
U+044C. A letter of the Cyrillic alphabet, shaped like a flat sign with a level top. ь in HTML.
U+0023. The key most people press for a sharp. Unicode's own note prefers 266F for a musical sharp. It is on the keyboard.
U+23E5. Flat in the engineering sense: a parallelogram that marks a flatness tolerance on a technical drawing. It is one of the form controls of geometric dimensioning and tolerancing. Added in version 5.0 (2006).
U+1D133. Lowers a note by a quarter tone, half of what ♭ does. This one is drawn as a flat with a 4. A reversed flat or a flat with a slash says the same thing. Added in version 3.1 (2001).
U+1D12C. A flat with an arrow pointing up. Unicode files it under Pitch modifiers, next to Flat down. Added in version 3.1 (2001).
U+1D12D. A flat with an arrow pointing down, the partner of Flat up. Added in version 3.1 (2001).
U+1D12E. A natural sign with an arrow pointing up. Added in version 3.1 (2001).
U+1D12F. A natural sign with an arrow pointing down. Added in version 3.1 (2001).
U+1D1EA. The flat of Persian music: it lowers a note by roughly a quarter tone. Alinaghi Vaziri set it up in the early 20th century. Added in version 14.0 (2021).
U+1D1ED. A flat facing the other way. Unicode's alias: quarter tone flat. One of the Stein-Zimmermann quarter-tone accidentals, new in version 18.0 (2026).
U+1D1EE. Unicode's alias: three-quarter tone flat. The same thing is also called a sesquiflat, a flat and a half. New in version 18.0 (2026).
U+1D1F3. The up form of the reversed flat, named on the pattern of U+1D12C Flat up. New in version 18.0 (2026).
U+1D1F4. The down form of the reversed flat. New in version 18.0 (2026).
U+1D1F5. The up form of the three-quarter tone flat. New in version 18.0 (2026).
U+1D1F6. The down form of the three-quarter tone flat, and the last of the twelve Stein-Zimmermann characters. New in version 18.0 (2026).
U+1D256. Unicode's aliases: bakiye flat and Arabic quarter-tone flat. Filed under Turkish and Arabic accidentals in a block that is new in version 18.0 (2026).
U+1D257. Unicode's alias: büyük mücenneb flat, from Turkish music. New in version 18.0 (2026).
U+1D258. Unicode's alias: Arabic three-quarter-tone flat. New in version 18.0 (2026).
U+1D260. Three flats as one character: it lowers a note by three semitones, so B triple flat sounds as A♭. Triple flats are very rare in real scores. New in version 18.0 (2026).
U+1ADA. A combining mark: a small flat that sits above the letter typed before it. Unicode files it under J.P. Harrington diacritics, so it is for phonetics, not scores. Added in version 17.0 (2025).
U+1D0D9. From Byzantine chant notation. Yfesis is the Greek word for a flat, as diesis is for a sharp. Added in version 3.1 (2001).
The flat symbol is ♭, Music flat sign, U+266D. The 53 rows add 𝄫, ♮ and ♯, flat notes ready-made, keys, chord symbols, look-alikes, and 18 rare flats, 10 of them new in Unicode 18.0.
Read the full guide
Two codes, and no Alt code
♭ is ♭ in HTML and \flat in LaTeX maths mode. ♮ is ♮ and \natural, ♯ is ♯ and \sharp. No row here has an Alt code or an Option key. The 26 made rows, such as B♭ or m7♭5, are two to four characters, so they show code points only.
If 𝄫 arrives as an empty box, copy the row Two flat signs instead: ♭♭ shows wherever ♭ does.
A small b is a letter, not a flat. Bb and B♭ are different strings, so pick one spelling and keep it through a document.
From two flats on, the major key is the signature's second-to-last flat: three flats, B♭ E♭ A♭, is E♭ major.
Questions and answers
How do I type the flat symbol on a keyboard?
No keyboard has a ♭ key, and ♭ has no Alt code. In Word, type 266D, then press Alt and X. On Linux, press Compose, then # and b. Anywhere else, copy it from this page.
What is the flat symbol in HTML and LaTeX?
♭ is the named entity, and ♭ or ♭ is the numeric form. In LaTeX, \flat prints ♭ in maths mode and needs no package, so B flat is B$\flat$. \natural and \sharp work the same way.
What is the order of flats in a key signature?
B♭, E♭, A♭, D♭, G♭, C♭, F♭, which is the order of rows five to eleven. One flat is F major. Two to seven flats are B♭, E♭, A♭, D♭, G♭ and C♭ major. Each relative minor sits a minor third lower.
Why does the double flat show as an empty box?
𝄫 is U+1D12B, in the Musical Symbols block, and the device needs a font that covers that block. ♭ itself is U+266D, in a different block. Where 𝄫 fails, ♭♭ is the usual stand-in.
What is the difference between ♭ and the letter b?
♭ is a music sign and b is a letter. The sign began as a round small b, from the Italian be molle, soft B, which is why they look alike. ƅ and ь, under Not the flat sign, are letters too.
All 53 flat signs and note names
Start here 11
A♭A flatMade of U+0041 and U+266D. Third in the order of flats. A♭ major has four flats, and its relative minor is F minor.
B♭B flatMade of U+0042 and U+266D. First in the order of flats, so every flat key signature starts here. B♭ major has two flats, B♭ and E♭. In German note names this pitch is plain B, and H is B natural.
C♭C flatMade of U+0043 and U+266D. Sixth in the order of flats, and the same piano key as B. C♭ major carries all seven flats.
D♭D flatMade of U+0044 and U+266D. Fourth in the order of flats. D♭ major has five flats. Spelled as C♯ major, the same key needs seven sharps.
E♭E flatMade of U+0045 and U+266D. Second in the order of flats. E♭ major has three flats: B♭, E♭ and A♭. The alto saxophone is an E♭ instrument.
F♭F flatMade of U+0046 and U+266D. The seventh and last flat, and the same piano key as E. It only shows up in the signature with all seven flats: C♭ major or A♭ minor.
Show all 53 flat signs and note names (47 more)
Start here, continued
G♭G flatMade of U+0047 and U+266D. Fifth in the order of flats. G♭ major has six flats, and its enharmonic twin, F♯ major, has six sharps.
♭Music flat signU+266D. Lowers a note by one semitone. The shape is a stylised small b, from the Italian be molle, soft B. ♭ in HTML, \flat in LaTeX maths mode. In Unicode since version 1.1 (1993).
♮Music natural signU+266E. Cancels a flat or a sharp. It grew out of the square b of medieval notation, as the sharp did, while the round b became the flat. ♮ in HTML, \natural in LaTeX.
♯Music sharp signU+266F. Raises a note by one semitone. Its bars slant upwards so that they do not hide the staff lines. The number sign on the keyboard is a different character. ♯ in HTML, \sharp in LaTeX.
𝄫Musical symbol double flatU+1D12B. Lowers a note by two semitones, so B double flat sounds as A. It is one character, not two flats typed side by side. Added in version 3.1 (2001).
Flat signs 1
♭♭Two flat signsMade of U+266D. The stand-in for 𝄫 where no font has the real one: two plain flat signs in a row.
Flat notes 3
A𝄫A double flatMade of U+0041 and U+1D12B. A lowered by two semitones, which sounds as G.
B𝄫B double flatMade of U+0042 and U+1D12B. B lowered by two semitones, which sounds as A. It uses U+1D12B, so it needs a font that covers the Musical Symbols block.
E𝄫E double flatMade of U+0045 and U+1D12B. E lowered by two semitones, which sounds as D.
Keys and chords 13
A♭mA flat minorMade of U+0041, U+266D and U+006D. Seven flats. The relative minor of C♭ major. Spelled as G♯ minor, the same key needs five sharps.
B♭mB flat minorMade of U+0042, U+266D and U+006D. Five flats. The relative minor of D♭ major, a minor third below it.
E♭mE flat minorMade of U+0045, U+266D and U+006D. Six flats. The relative minor of G♭ major.
♭5Flat fiveMade of U+266D and U+0035. A chord alteration: the fifth lowered by a semitone. C7♭5 is C, E, G♭ and B♭.
♭9Flat nineMade of U+266D and U+0039. The ninth lowered by a semitone. C7♭9 is C, E, G, B♭ and D♭.
♭7Flat sevenMade of U+266D and U+0037. A scale degree, the lowered seventh. Built into a chord it becomes ♭VII.
♭VIIFlat seven chordMade of U+266D, U+0056 and U+0049. In C major: B♭, D and F. The backdoor progression runs ii, ♭VII7, I.
♭VIFlat six chordMade of U+266D, U+0056 and U+0049. In C major: A♭, C and E♭. With ♭III and ♭VII it is one of the borrowed chords common in popular music.
♭13Flat thirteenMade of U+266D, U+0031 and U+0033. One of the usual alterations of a dominant chord, with ♭5, ♯5, ♭9, ♯9 and ♯11.
♭3Flat threeMade of U+266D and U+0033. A scale degree, the lowered third. A half-diminished seventh chord is spelled 1, ♭3, ♭5, ♭7.
♭IIIFlat three chordMade of U+266D and U+0049. In C major this is E♭, G and B♭, a chord borrowed from C minor.
♭IIFlat two chordMade of U+266D and U+0049. Roman numeral for the major chord a semitone above the keynote: D♭ in the key of C. It falls to I in a ♭II to I cadence.
m7♭5Minor seventh flat fiveMade of U+006D, U+0037, U+266D and U+0035. The half-diminished seventh chord, spelled 1, ♭3, ♭5, ♭7. Bm7♭5 is B, D, F and A.
Natural and sharp 1
B♮B naturalMade of U+0042 and U+266E. B with the flat cancelled. German note names call this pitch H and keep plain B for B♭.
Not the flat sign 6
BbB flat in plain lettersMade of U+0042 and U+0062. The keyboard spelling: a capital B and a small b, no music character at all. Two small b's do the same job for a double flat.
ьCyrillic small letter soft signU+044C. A letter of the Cyrillic alphabet, shaped like a flat sign with a level top. ь in HTML.
⏥FlatnessU+23E5. Flat in the engineering sense: a parallelogram that marks a flatness tolerance on a technical drawing. It is one of the form controls of geometric dimensioning and tolerancing. Added in version 5.0 (2006).
bLatin small letter bU+0062. The letter the flat sign grew out of, and its usual stand-in where ♭ will not show. It is on the keyboard.
ƅLatin small letter tone sixU+0185. A tone letter, not a music sign. Unicode's note: Zhuang (old orthography). Unicode cross-references it to the Cyrillic soft sign, the next row.
#Number signU+0023. The key most people press for a sharp. Unicode's own note prefers 266F for a musical sharp. It is on the keyboard.
May be an empty box 18
𝃙Byzantine musical symbol geniki yfesisU+1D0D9. From Byzantine chant notation. Yfesis is the Greek word for a flat, as diesis is for a sharp. Added in version 3.1 (2001).
Combining flat signU+1ADA. A combining mark: a small flat that sits above the letter typed before it. Unicode files it under J.P. Harrington diacritics, so it is for phonetics, not scores. Added in version 17.0 (2025).
𝄭Musical symbol flat downU+1D12D. A flat with an arrow pointing down, the partner of Flat up. Added in version 3.1 (2001).
𝄬Musical symbol flat upU+1D12C. A flat with an arrow pointing up. Unicode files it under Pitch modifiers, next to Flat down. Added in version 3.1 (2001).
Musical symbol flat with double stemU+1D258. Unicode's alias: Arabic three-quarter-tone flat. New in version 18.0 (2026).
Musical symbol flat with double strokeU+1D257. Unicode's alias: büyük mücenneb flat, from Turkish music. New in version 18.0 (2026).
Musical symbol flat with strokeU+1D256. Unicode's aliases: bakiye flat and Arabic quarter-tone flat. Filed under Turkish and Arabic accidentals in a block that is new in version 18.0 (2026).
𝇪Musical symbol koronU+1D1EA. The flat of Persian music: it lowers a note by roughly a quarter tone. Alinaghi Vaziri set it up in the early 20th century. Added in version 14.0 (2021).
𝄯Musical symbol natural downU+1D12F. A natural sign with an arrow pointing down. Added in version 3.1 (2001).
𝄮Musical symbol natural upU+1D12E. A natural sign with an arrow pointing up. Added in version 3.1 (2001).
𝄳Musical symbol quarter tone flatU+1D133. Lowers a note by a quarter tone, half of what ♭ does. This one is drawn as a flat with a 4. A reversed flat or a flat with a slash says the same thing. Added in version 3.1 (2001).
Musical symbol reversed flatU+1D1ED. A flat facing the other way. Unicode's alias: quarter tone flat. One of the Stein-Zimmermann quarter-tone accidentals, new in version 18.0 (2026).
Musical symbol reversed flat and flatU+1D1EE. Unicode's alias: three-quarter tone flat. The same thing is also called a sesquiflat, a flat and a half. New in version 18.0 (2026).
Musical symbol reversed flat and flat downU+1D1F6. The down form of the three-quarter tone flat, and the last of the twelve Stein-Zimmermann characters. New in version 18.0 (2026).
Musical symbol reversed flat and flat upU+1D1F5. The up form of the three-quarter tone flat. New in version 18.0 (2026).
Musical symbol reversed flat downU+1D1F4. The down form of the reversed flat. New in version 18.0 (2026).
Musical symbol reversed flat upU+1D1F3. The up form of the reversed flat, named on the pattern of U+1D12C Flat up. New in version 18.0 (2026).
Musical symbol triple flatU+1D260. Three flats as one character: it lowers a note by three semitones, so B triple flat sounds as A♭. Triple flats are very rare in real scores. New in version 18.0 (2026).